PUBLICATIONS


MANUSCRIPTS (IN PREPARATION) ACCEPTED/INVITED

2018

  • Monograph: Muzio Clementi, New Catalogue of the Works of Muzio Clementi (Thematic Catalogue with updated Bibliography for each work, Documents and Iconography relevant to Muzio Clementi’s life), Bologna, Ut Orpheus Edizioni (Opera Omnia, Italian National Edition, CCE IV), under contract (2018). Yale University Research Fellowship.

  • Journal Themed Issue: Nineteenth-Century Music Review, Luca Lévi Sala and Bennet Zon (eds.) Cambridge University Press.

  • Peer-Reviewed Journal Article: ‘Mieczysław Karłowicz’s «Recurring waves»: Elements of Wagnerian Intoxication and Artistic Palingenesy’, in Nineteenth-Century Music Review, Luca Lévi Sala and Bennet Zon (eds.) Cambridge University Press.

2017
  • Book: Jewishness in Music: Composers & the Reform in Nineteenth-Century Europe, Bologna, Ut Orpheus Edizioni.

  • Review: Jean-Jacques Nattiez, Wagner antisémite. Un problème historique, sémiologique et esthétique, Christian Bourgois, 2015, in Cahiers de la Société québécoise de recherche en musique.

  • Book: Muzio Clementi and the British Musical Scene: Sources, Performance, Style, (with Rohan H. Steward-MacDonald).

  • Chapter: ‘Autograph revisions and reissues. Performance practice and publishing in Clementi’s corrected editions and manuscripts (Yale Collection)’, in Muzio Clementi and the British Musical Scene: Sources, Performance, Style, (with Rohan H. Steward-MacDonald).

  • Chapter: ‘«After Tyson»: European Publishing Network and the Revision of Muzio Clementi’s Thematic Catalogue. New Evidence’, in Muzio Clementi and the British Musical Scene: Sources, Performance, Style, (with Rohan H. Steward-MacDonald).

  • Chapter: ‘Cultural Purification, Antisemitism and Musical Autarchy, in Fascist Press. A Case-Study: Il Tevere (1934-1938), edited by Alessandro Carrieri, London/New York, Palgrave Macmillan.

  • Peer-Reviewed Dictionary Article: ‘Mieczysław Karłowicz’, in Oxford Bibliographies Online, Music Subject Area, edited by Bruce Gustafson, Oxford—New York, Oxford University Press (2011—).

  • Peer-Reviewed Dictionary Article: ‘Muzio Clementi’, in Oxford Bibliographies Online, Music Subject Area, edited by Bruce Gustafson, Oxford—New York, Oxford University Press (2011—).

  • Peer-Reviewed Dictionary Entry: ‘Clementi, Muzio’, in Grove Music Online. Oxford Music Online, Oxford University Press, under contract.

  • Chapter: ’Luigi Boccherini’s Stabat Mater: Textual Criticism and Exegesis, in Boccherini Studies, Christian Speck (ed.), Bologna, Ut Orpheus Edizioni, (BS, 6).

  • Chapter: ’Il sindacato nazionale fascista dei musicisti: una ricognizione sull’associazionismo musicale di regime’, in Accademie e Società Filarmoniche in Italia. Studi e ricerche, a cura di Antonio Carlini, Trento, Società Filarmonica Trento (Quaderni dell’Archivio Storico delle Società Filarmoniche Italiane). Filarchiv Research Grant.

  • Review: Wagner in Russia, Poland and the Czech Lands, Stephen Muir and Anastasia Belina-Johnson (eds.), Farnham, Ashgate, 2013, Revue de musicologie, vol. 102 (2016/2), Paris, Société française de musicologie, ISSN 0035-1601.

  • Review: Ben Earle, Luigi Dallapiccola and Musical Modernism in Fascist Italy, New York, Cambridge University Press, 2012, in Notes. The Quarterly Journal of the Music Library Association.


MANUSCRIPTS IN PRESS

  • Peer-Reviewed Journal Article: ‘Haydn’s Variations on Gott erhalte den Kaiser: A new Arrangement by Muzio Clementi’, in Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, XIV/27, April 2016, ISSN 1772 3954.

  • Critical Edition: Muzio Clementi, Sonate per clavicembalo o pianoforte / Sonatas for Harpsichord or Piano Opp. 7-10, (with Rohan H. Steward-MacDonald), Critical Edition, Bologna, Ut Orpheus, (Opera Omnia, Italian National Edition, Vol: VIII.2-CCE 3), 2016, ISBN 978-88-8109-499, ISMN 979-0-2153-2382-7.

  • Practical Edition: Muzio Clementi, Variazioni sul Tema «Gott erhalte den Kaiser» di Haydn, Bologna, Ut Orpheus Edizioni, 2016.

  • Chapter: ’«Ce qui a été déjà, cela ne revient plus». Bianca da Molena de Mieczysław Karłowicz. Une épreuve pour le théâtre musical’, in Beyond the Stage. Musical Theatre and Performing Arts between «finn de siècle» and the «années folles», edited by Giuseppe Montemagno and Michela Niccolai, Bologna, Ut Orpheus Edizioni, (Ad Parnassum Studies, 10), 2016. Already published in English as Peer-Reviewed Journal Article: ‘«What has already been will return no more». Bianca da Molena by Mieczysław Karłowicz: A test of musical theater’, in Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, IX/18 (October 2011), pp. 41-70, ISSN 1772 3954.

MANUSCRIPTS PUBLISHED
  • Critical Edition: Luigi Boccherini, Stabat Mater (2 versions) G 532, Bologna, Ut Orpheus Edizioni (Opera Omnia, Italian National Edition under the Direction of Christian Speck, Vol. VI, BCE 6), 2016, ISBN 978-88-8109-498-1, ISMN 979-0-2153-2378-0.

  • Practical Edition: Luigi Boccherini, Stabat Mater Op. 61 G 532 for 2 Sopranos, Tenor, 2 Violins, Viola, Violoncello and Basso, Practical Edition, Bologna, Ut Orpheus Edizioni (PEB 38A-38B), 2016 (score PEB 44A 979-0-2153-2379-7, vocal score PEB 44R 979-0-2153-2381, parts PEB 44B 979-0-2153-2380-3).

  • Recording Booklet: «Luigi Boccherini – Stabat Mater (1781). String Quartet Op. 41/1», recording by: Ensemble Symposium, Al Leeuwarden, Brilliant, 2016 (www.ensemblesymposium.it), pp. 2-9.

  • Journal Edito: ‘Muzio Clementi’s New Catalogue of the Works’, Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, XIII/26 (October 2015), p. 5-7, ISSN 1772 3954.

  • Report: ’The Legacy of P.A. Locatelli and J.-M. Leclair in the 19th Century’, Fondazione MIA, Bergamo, 17–19 October 2014’ Conference, in Eighteenth-Century Music, (September 2015, 12/2), Cambridge, Cambridge University Press, pp. 272-275, ISSN 1478-5706.

  • Practical Edition: Luigi Boccherini, Stabat Mater in F minor G 532 for Soprano, 2 Violins, Viola, Violoncello and Basso, Practical Edition, Bologna, Ut Orpheus Edizioni (PEB 37A), 2015, pp. x-91, ISMN 979-0-2153-2311-7; Vocal Score, pp. x-47, ISMN 979-0-2153-2351-3 (PEB 37R). Recording based upon the present edition: Ensemble Symposium «Luigi Boccherini – Stabat Mater (1781)», Al Leeuwarden, Brilliant, 2016 (www.ensemblesymposium.it); Ensemble Rosasolis, Musicaficta, Pavane Records, Bruxels, 2016 (www.musica-ficta.com).

  • Chapter: ’Le fonti secondarie francesi dello Stabat Mater Op. 61 di Luigi Boccherini: due manoscritti inediti’, in Die wiener Klassiker und das Italien ihrer Zeit, Petra Weber (ed.), Munich, Fink, 2015, pp. 217-226, ISBN: 978-3-7705-5875-9.

  • Peer-Reviewed Journal Article: ’Le Stabat Mater Op. 61 (1801) de Luigi Boccherini : genèse et état des sources’, in Revue de Musicologie, vol. 100 (2014/2), Paris, Société française de musicologie, pp. 323-356, ISSN 0035-1601.

  • Magazine Article: ’Nieznany list Mieczysława Karłowicza’, in Ruch Muzyczny, (LVII 22), Warsaw, Instytut Książki, December 2014, pp. 90-91.

  • Peer-Reviewed Journal Article: ‘An Unpublished Letter by Mieczysław Karłowicz and Others Previously Unknown Documents. The «Souvenirs inédits de Frédéric Chopin»: New Evidence’, in Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, XII/24, October 2014, pp. 55-88, ISSN 1772-3954.

  • Peer-Reviewed Journal Article: ‘‘Propaganda, Negotiations, and Antisemitism at the Teatro La Fenice, 1937–43: Proscription Lists and Other Unpublished Documents’, in Journal of Musicological Research, vol. 33 n. 4 (2014), Routledge, ISSN 0141-1896 (DOI: 10.1080/01411896.2014.954510), pp. 271-314.

  • Chapter: ’Deux manuscrits inconnus du Stabat Mater Op. 61 de Luigi Boccherini’, in Quatre siècles d’édition musicale. Mélanges offerts à Jean Gribenski (Études de Musicologie/Musicological Studies 5), Joann Élart, Etienne Jardin and Patrick Taïeb (eds.), Basel, Peter Lang, 2014, pp. 147-155, ISBN 978-2-87574-212-4.

  • Chapter: ’Le Stabat Mater (1781) de Luigi Boccherini : nouveaux témoignages sur le manuscrit M. 2103.3 B 65 de la Bibliothèque du Congrès de Washington’, in Boccherini Studies: New Evidence, Christian Speck (ed.), Bologna, Ut Orpheus Edizioni, 2014 (BS, 4), pp. 95-117, ISBN 978-88-8109-486-8.

  • Chapter: ’Le manuscrit espagnol I-Li PI 233 du Stabat Mater Op. 61 de Luigi Boccherini : ce que les sources nous disent’, in Boccherini Studies: New Evidence, Christian Speck (ed.), Bologna, Ut Orpheus Edizioni, 2014 (BS, 4), pp. 119-139, ISBN 978-88-8109-486-8.

  • Chapter: ’Il percorso di un compositore: Luigi Dallapiccola fra critica, politica e morale’, (with Roberto Illiano) in Palabra de crítico. Estudios sobre prensa, música e ideología, Teresa Cascudo and German Gan Quesada (eds.), Sevilla, Editorial Doble J, 2014, pp. 135-160, ISBN: 978-84-96875-42. Also published in Logroño, Calanda Ediciones Musicales, 2015, pp. 123-151, ISBN 978-84-943568-2-7.

  • Critical Edition Preface Translation: Fabrizio Ammetto, 'Avant-propos’, in: Luigi Boccherini. Sestetti, Bologna, Ut Orpheus Edizioni (Opera Omnia, Italian National Edition under the Direction of Christian Speck), from italian to french, 2014, pp. x-xi.

  • Book: «Grandeur et finesse». Chopin, Liszt and the Parisian Musical Scene, Proceedings Selection, Turnhout, Brepols Publishers, 2013, pp. xii-362, ISBN: 978-2-503-54884-5.

  • Chapter: ’Gli anni Quaranta di Luigi Dallapiccola tra ricostruzione ed espressione e la genesi di Rencesvals: note di carteggio inedito’, in Umbruchzeiten in der italienischen Musikgeschichte, Roland Pfeiffer and Christoph Flamm (eds.), Kassel, Bärenreiter, 2013 («Analecta Musicologica», 50), pp. 187-212, ISBN 978-3-7618-2136-7.

  • Critical Edition: Muzio Clementi, Concerto per cembalo e orchestra / Concerto for Piano and Orchestra Op-sn 30, Bologna, Ut Orpheus Edizioni (Opera Omnia, Italian National Edition, vol. II.5—CCE 2), 2012, pp. xxxix+65, ISBN 978-88-8109-477-6 — ISMN 979-0-2153-1996-7.

  • Critical Edition Preface Translation: Fulvia Morabito, 'Avant-propos’, in: Luigi Boccherini. Quintetti, Bologna, Ut Orpheus Edizioni (Opera Omnia, Italian National Edition under the Direction of Christian Speck), from italian to french, 2012, pp. x-xi, ISMN 979-0-2153-1951-6.

  • Review: J.P.E Harper-Scott, The Quilting Points of Musical Modernism: Revolution, Reaction, and William Walton, New York, Cambridge University Press, 2012, in Notes. The Quarterly Journal of the Music Library Association (Volume 70, No. 4, June 2014), ISSN 0027-4380, (DOI:10.1353/not.2014.0066), pp. 710-712.

  • Book: The Legacy of Richard Wagner. Convergences and Dissonances in Aesthetics and Reception, Turnhout, Brepols Publishers, 2012, pp xiii+459, ISBN 978-2-503-54613-1.

  • Chapter: ’«Patrz – to Tetmajer!». Le texte et la poésie chez Mieczysław Karłowicz. Un Tristan confondu’, in The Legacy of Richard Wagner, Turnhout, Brepols Publishers, 2012, pp. 289-308, ISBN 978-2-503-54613-1.

  • Peer-Reviewed Journal Article: ‘«Allo stato di intuizione». Precisazioni a margine di Volo di notte di Luigi Dallapiccola’, in Studi Musicali, Anno 2 - NS/2, Roma, Accademia di Santa Cecilia, 2011, pp. 447-490, ISSN 0391-7789.

  • Peer-Reviewed Journal Article: ‘«What has already been will return no more». Bianca da Molena by Mieczysław Karłowicz: A test of musical theater’, in Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, IX/18 (October 2011), pp. 41-70, ISSN 1772 3954.

  • Review: Jadwiga Paja-Stach, Muzyka polska od Paderewskiego do Pendereckiego, Cracow, Musica Iagellonica («Acta Musicologica Universitatis Cracoviensis» XVII), 2009, in Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, IX/18 (October 2011), pp. 79-81, ISSN 1772 3954.

  • Journal: Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, IX/18 (October 2011), Monographic Issue on Polish Fin-de-siècle Music, pp. 144, ISSN 1772 3954 (Contributors: Michael Murphy, Luca Lévi Sala, Alistair Wightman).

  • Journal Edito: Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, IX/18 (October 2011), pp. 5-7, ISSN 1772 3954.

  • Chapter: ’« Vol de Nuit » de Luigi Dallapiccola. Ce que les sources nous disent’, in Musique et Littérature au XXe siècle, Francis Buil, Belén Hernández Marzal & Paloma Otaola González (eds.), Lyon, Éditions Lyon 3 (Université Jean-Moulin), 2011, pp. 401-421, ISBN: 978-2-916377-98-8.

  • Chapter: ’Muzio Clementi: A Virtuoso Cosmopolitan’, in Henryk Wieniawski and the Bravura Tradition of Style, Techniques and Performing Practice, Maciej Jabłoński (ed.), Poznań, Henryk Wieniawski Musical Society, 2011, pp. 208-217, ISBN: 978-83-7654-067-2.

  • Review: Stephen Downes, Music and Decadence in European Modernism. The Case of Central and Eastern Europe, Cambridge University Press, 2010, in Rivista Italiana di Musicologia (xlvi/2011), Lucca, LIM, 2011, pp. 309-310, ISSN: 0035-6867.

  • Review: Boccherini Studies: Volumes 1 and 2, Christian Speck (ed.), Bologna Ut Orpheus Edizioni, 2007-2009 (BS 1-2), in Rivista Italiana di Musicologia (xlvi/2011), Lucca, LIM, 2011, pp. 278-283, ISSN: 0035-6867.

  • Review: Ryszard Daniel Golianek, Juliusz Zarębski. Człowiek, muzyka, kultura, Cracow, Polskie Wydawnictwo Muzyczne, 2004, in Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, IX/17 (April 2011), pp. 153-156, ISSN 1772 3954.

  • Book: European Fin-de-siècle and Polish Modernism. The Music of Mieczysław Karłowicz, Bologna, Ut Orpheus Edizioni, 2010, pp. xiv+416, ISBN: 978-88-8109-467-7. Published under the auspices of the Polish Cultural Institute in Rome.














  • Chapter Tranlation: Andrzej Chwalba, 'La Polonia al tempo di Mieczysław Karłowicz', in: European Fin-de-siècle and Polish Modernism, from polish to italian, op. cit, pp. 45-54, ISBN: 978-88-8109-467-7.

  • Journal Edito: Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, VIII/16 (October 2010), p. 5, ISSN 1772 3954.

  • Book: Instrumental Music and the Industrial Revolution, (with Roberto Illiano), Proceedings Selection, Bologna, Ut Orpheus Edizioni, 2010, pp. xiv+638, ISBN 978-88-8109-468-4.




  • Journal Edito: Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, VIII/15 (April 2010), p. 5-6, ISSN 1772 3954.

  • Chapter: ’Il senso dell’assoluto e l’idea dell’arte nella musica di Mieczysław Karłowicz’, in European Fin-de-siècle and Polish Modernism. The Music of Mieczysław Karłowicz, Bologna, Ut Orpheus Edizioni, 2010, pp. 3-42, ISBN: 978-88-8109-467-7.

  • Journal Edito: Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, VII/14 (October 2009), p. 5-6, ISSN 1772 3954.

  • Peer-Reviewed Dictionary Article: ‘Francesco Maria Veracini’, in Die Musik in Geschichte und Gegenwart. Allgemeine Enzyklopädie der Musik, begründet von Friedrich Blume. Zweite, neubearbeitete Ausgabe, edited by Ludwig Finscher, 29 vols., Kassel-Basel-London-New York-Prague, Bärenreiter; Stuttgart-Weimar, Metzler, 1994-2008, 2008, pp. 1419-1423, ISBN: 978-3-7618-1100-9.

  • Chapter: ’Simbolo e testo in «An Mathilde» di Luigi Dallapiccola’, in Luigi Dallapiccola: 100.mo anniversario della nascita (Raccolta degli Atti del Quarto convegno internazionale di musicologia ‘Dal patrimonio musicale istriano’), Ivana Gortan-Carlin (ed.), Pisino, Università popolare aperta, 2008, pp. 231-245, ISBN: 978-953-7565-04-6; croatian transl. ‘Simbol i tekst u djelu «An Mathilde» Luigija Dallapiccole’, in Luigi Dallapiccola: 100. obljetnica rođenja (Zbornik radova s 4. međunarodnog muzikološkog skupa ‘Iz istarske glazbene riznice’), cd-rom Ivana Gortan-Carlin (ed.), Pazin, Pučko otvoreno učilište u Pazinu, 2008, pp. 237-251.

  • Chapter: ’«Guardare, meravigliarsi e tornare a guardare». Note per un’analisi della testualità in Luigi Dallapiccola’ (with Roberto Illiano), in Luigi Dallapiccola nel suo secolo. Atti del convegno internazionale, Fiamma Nicolodi (ed.), Florence, Olschki, 2007 (Historiae Musicae Cultores, 109), pp. 293-311, ISBN: 978-88-222-5637-9.

  • Journal: Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, V/10 (October 2007), Monographic Issue based on Continental Influences in 19th-Century Britain (Sixth Biennial Conference on Music in 19th-Century Britain, Session Panel organised in University of Birmingham at the University Conference Park, Birmingham, 5-8 July 2007), pp. 208, ISSN 1772 3954 (Contributors: Jeremy Eskenazy, Stephan D. Lindeman, Rohan H. Stewart-MacDonald).

  • Journal Edito: Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, V/10 (October 2007), p. 5-6, ISSN 1772 3954.

  • Chapter: ’La «protest-music» di Luigi Dallapiccola»’, in Italian Music during the Fascist Period, Roberto Illiano (ed.), Turnhout, Brepols, 2004, pp. 589-606, ISBN: 2-503-51517-7; also published in: Hortus Musicus, VI/21 (2005), Bologna, Ut Orpheus Edizioni, pp. 152-158, ISSN 1129 4965.

  • Urtext Edition: Concerto Op-sn 30 in Do maggiore per Pianoforte e orchestra (ms. Johann Schenk 1796), Bologna, Ut Orpheus Edizioni, 2004 (MC, 60).

  • Chapter: ’Il modello clementiano in Beethoven’, in Muzio Clementi cosmopolita della musica. Atti del Convegno internazionale in occasione del 250° anniversario della nascita (1752-2002), Richard Bösel and Massimiliano Sala (eds.), Bologna, Ut Orpheus Edizioni, 2004, pp. 217-229, ISBN: 88-8109-450-9.

  • Article Translation: Anna e Zygmunt M. Szweykowscy, ‘Modelli italiani nell'opera di Marcin Mielczewski’, in: Res Facta, VI/15 (Poznań 2003), from polish to italian, pp. 151-157, ISSN: 0486-4689.

  • Book: Muzio Clementi. Studies and Prospects, (with Roberto Illiano and Massimiliano Sala), Introduction by Leon B. Plantinga (Yale University), Bologna, Ut Orpheus Edizioni, 2002, pp. xxviii-473, ISBN 978-88-8109-448-6.





  • Chapter: ‘Il concerto in Do di Muzio Clementi’, in Muzio Clementi. Studies and Prospects, Introduction by Leon Plantinga (Yale University), Bologna, Ut Orpheus Edizioni, 2002 (MC61), pp. 163-177, ISBN: 978-88-8109-448-6.

  • Article Translation: Walter Leitsch, ‘Un programma d’opera polacco del 1628 recentemente ritrovato’, in: Hortus Musicus, III/10 (2002), from polish to italian, pp. 83-85, ISSN: 1129-4965.

  • Chapter Translation: Andrzej Sitarz, ‘La seconda patria di Janiewicz. La fortuna dei musicisti in Gran Bretagna fra la fine del XVIII e l’inizio del XIX secolo’, in : Muzio Clementi. Studies and Prospects, op. cit., from polish to italian, pp. 427-445, ISBN 978-88-8109-448-6.

  • Article Translation: Leon Plantinga, ‘Clementi: le metamorfosi di un musicista’, in: Hortus Musicus, III/11 (2002), from english to italian, pp. 58-60, ISSN: 1129-4965.

  • Chapter: ‘Luigi Dallapiccola. «An Mathilde» (Heinrich Heine) e l’idea di un universo laico’, in Album Amicorum Albert Dunning, Giacomo Fornari (ed.), Turnhout, Brepols Publisher, 2002, pp. 645-668, ISBN: 2-503-52123-1.

  • Article Translation: Barbara Przybyszewska-Jarmińska: ‘Stabile, Marenzio, Gabussi e Pacelli, i primi maestri di cappella italiani alla corte polacca’, in: Hortus Musicus, II/7 (2001), from polish to italian, pp. 89-91, ISSN: 1129-4965.

  • Review: Andrzej Sitarz. Feliks Janiewicz: Opera omnia. Koncerty skrzypcowe, (Monumenta Musicae in Polonia), Cracow, Polskie Wydawnictwo Muzyczne, (2001—). ‘Gli Opera omnia di Feliks Janiewicz nell’edizione critica dei Monumenta Musicae in Polonia’, in: Hortus Musicus, II/6 (2001), pp. 70-73, ISSN: 1129-4965.

  • Review: Anna e Zygmunt Szweykowscy, Włosi w kapeli królewskiej polskich Wazów, Cracow, Musica Iagellonica, 1997. ‘Il Rinascimento italiano in Polonia. Uno studio di Anna e Zygmunt Szweykowscy’, in: Hortus Musicus, II/5 (2001), pp. 88-89, ISSN: 1129-4965.

  • Urtext Edition: Tre Sonate Op. 21, per Pianoforte o Clavicembalo con accompagnamento di Flauto e Violoncello, Bologna, Ut Orpheus Edizioni, 2001 (MC, 26).

  • Urtext Edition: Tre Sonate Op. 22, per Pianoforte o Clavicembalo con accompagnamento di Flauto e Violoncello, Bologna, Ut Orpheus Edizioni, 2001 (MC, 27).

  • Urtext Edition: THEODORE LABARRE, 3 Arie dal «Mosè di Rossini arrangiate in forma di Rondò per Arpa, Bologna, Ut Orpheus Edizioni, 2001 (MAG 84).

  • Urtext Edition: THEODORE LABARRE, Ricordanza di Paganini Op. 51 per Arpa, Bologna, Ut Orpheus Edizioni, 2001 (MAG 79).

  • Urtext Edition: Tre Sonate Op. 13 nn. 1-3, per Pianoforte con accompagnamento di Violino o Flauto, Bologna, Ut Orpheus Edizioni, 2000 (MC, 18).

  • Urtext Edition: Tre Sonate Op. 15, per Pianoforte con accompagnamento di Violino, Bologna, Ut Orpheus Edizioni, 2000 (MC, 19).

  • Urtext Edition: Sonata Op. 30, per Pianoforte o Clavicembalo con accompagnamento di Violino, Bologna, Ut Orpheus Edizioni, 2000 (MC, 33).

  • Urtext Edition: Tre Sonate Op. 31, per Pianoforte o Clavicembalo con accompagnamento di Flauto, Bologna, Ut Orpheus Edizioni, 2000 (MC, 34).

  • Urtext Edition: GIOVANNI TOJA, Notturno Op. 9 (Milano 1830) per Flauto e Arpa (Pianoforte), Bologna, Ut Orpheus Edizioni, 1999 (MAG 61).

  • Urtext Edition: FRANCESCO POLLINI, Capriccio sopra la Cavatina «Eco Pietosa» da «La pietra del paragone» di Rossini Op. 29 (Milano 1814) per Arpa o Pianoforte, Ut Orpheus Edizioni, 1998 (MAG 49).

  • Urtext Edition: THEODORE LABARRE, Fantasia e Variazioni sopra un Tema da «L’Assedio di Corinto» di Rossini Op. 25 per Arpa, Bologna, Ut Orpheus Edizioni, 1998 (MAG 47).

  • Urtext Edition: DOMENICO MALACARNE, Tema con Variazioni (Milano 1823) per Arpa e Pianoforte, Bologna, Ut Orpheus Edizioni, 1998 (MAG 48).

  • Urtext Edition: BENEDETTO NEGRI, Variazioni sulla Cavatina «Di tanti palpiti» dal «Tancredi» di Rossini per Arpa o Pianoforte, Bologna, Ut Orpheus Edizioni, 1998 (MAG 45).

  • Urtext Edition: THEODORE LABARRE, Duo su Temi della «Gazza ladra» di Rossini per Arpa e Pianoforte, Bologna, Ut Orpheus Edizioni, 1998 (MAG 28).BENEDETTO NEGRI, Capriccio sulla Cavatina «Di piacer mi balza il cor» dalla «Gazza ladra» di Rossini per Arpa e Pianoforte o 2 Pianoforti, Bologna, Ut Orpheus Edizioni,1998 (MAG 26).

  • Urtext Edition: JOHANN NEPOMUK HUMMEL, 5 Rondoletti per arpa, pianoforte e flauto ad libitum, with Roberto Illiano, Bologna, Ut Orpheus Edizioni, 1997 (MAG 17-21).



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